Studio Update: April 2019

Last month, I revealed (Feeling) Woeful, my first piece of the year.  I’m working in a larger format for 2019, roughly 2′ by 3′, so it’s taking a bit longer to finish a piece (having a job and regular life responsibilities do have an impact on my available studio time, after all).

This is a super photo heavy post.  In late March, I attended International Quilt Fest Chicago (their last year here! 😦 ) and took photos of the art that most appealed.  And in early April, I was in San Diego, so I made a stop at the Visions Art Museum and I couldn’t resist taking photos of those exhibits either.

But first…

I’m currently working on (Feeling) Passionate and am sharing progress photos below.  I always try to alternate between the catabolic and anabolic feelings for my work, from “negative” to “positive”.  So from woe to passion we go.  I hope you enjoy this work.  Please let me know your thoughts in the comments below!

Photos from IQF Chicago – to be clear, none of these are my art –

Photos from Visions Art Museum, including Maria Shell’s work (none of these are mine, either.  Someday!) –

I’ll be back in a month with the full reveal for (Feeling) Passionate, or another Studio Update if my progress gets derailed.  Thanks for hanging around the studio with me.

What have you been up to?

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(Feeling) Woeful

Feelings are not small when we feel them, no matter how others might try to force us to ignore or suppress those feelings into a tiny space.  Therefore, in 2019, my work will grow larger to more accurately portray the intuitive and instinctive physical manifestation of the feeling for which a piece is named.

All of my textured fiber paintings are created from intuition.  From instinct.  There is no sketching beyond the initial doodle for the outline.  There is no planning.  This is seat of the pants, gut-driven creation.

Because this is a year for my work to grow in size, (Feeling) Woeful is larger than the previous work in this series, which means more stitching, which means it took more time to complete.  Woeful is dark, as grief and woe often are.  The one bright, almost jarring, fuchsia accent symbolizes the raw pain woe often brings.

How have you experienced woe?

Constructive criticism and comments are always welcome.  Please share your thoughts!

Woeful (link to poem)

(c) 2019, Hilary Clark, Woeful, Fiber, 33-1/2″x22″

Next up: Transitioning from Woe to Passion.  Look for lots of color in my next textured fiber painting!


Info about my Feelings series: I interpret my random abstract doodles as emotions.  The guiding point is the outer boundary of the doodle.  The boundary evokes the feeling.  From there, I contemplate how to bring that particular feeling alive in fiber. 

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Studio Update: February 2019

We’re going to try something a little different this year — monthly blog posts!  Since art production has slowed due to an increase in the amount of stitching (and larger work), I decided I wanted to write here more often than just when I finish a piece.  So I’m keeping it simple and striving for studio updates every month.  And when I do complete a piece, I’ll add a bonus post!  🙂

I’m working on (Feeling) Woeful at the moment, my first piece this year.  However, I closed out 2019 doing a little experimenting in the studio.  Here’s what I tried:

When I was younger, before the age of so. many. distractions. on the computer, I used to play with the Paint accessory in Microsoft windows.  So I decided I’d recreate that experience with real paint on cotton fabric.  I grabbed some paint brushes, filled a palette with a bit of each color paint, and then began painting.  I used plain white cotton as the canvas.  The result shows above.

I’m not sure yet what I’ll use it for, but I found I really enjoyed the experience of painting.  Going forward, I plan to incorporate paint days into my studio practice, focusing on painting only solid colors – large fabric paintings all in blue, or red, or… – to then use in my (Feeling) series as I gravitate towards solids there.

My second experiment was also a return to the past:

In the early 2000s, I dyed a lot of fabric.  I enjoyed taking plain white cotton, immersing it in buckets of color, and then waiting to see how it all turned out several hours later.  It’s like dyeing Easter Eggs but on a larger scale.

For this experiment, I purchased natural dye material and then adapted the instructions for cold water dye.  The natural dyes called for boiling the fabric, or doing the dyeing in the washing machine.  Neither of those felt right to me – one, I didn’t know if the dyes would remain in the washer and then dye our clothes; two, boiling fabric on the stove meant I could only dye one color at a time and I just don’t have the patience for that.  So I decided if I was going to experiment, I’d go all out and not follow the instructions.  Turned out pretty well, don’t you think?

What I find most intriguing is the fabric appears to be linen in the photo but I assure you it was plain white cotton.  I’m looking forward to using these in a future (Feeling), which will be a departure from my usual vibrant colors.  Some feelings are more muted, and these hand dyed fabrics will be perfectly suited.

Like the fabric painting, I plan to include fabric dyeing days into my studio practice this year.  The nuances of hand dyeing create interesting colors and visual texture to the fabric, which I believe will only enhance my work.

Once we got past the holidays and rolled into 2019, I returned to my (Feeling) work with Woeful.  It’s still a work in progress and is larger than the earlier pieces in this series.  I’ve attached a few progress photos to whet your appetite for the final piece.  Enjoy!

I’ll be back in a month with another Studio Update – or sooner if I finish Woeful.  Thanks for hanging around the studio with me.

What have you been up to?

(Feeling) Impulsive

The final piece of the year is complete.

This has been a year of slow and contemplative art making.  I’ve been focused on building a business as a job satisfaction coach and, while I’ve spent some time most days of every week in my studio, production has slowed.  My annual intention is to create 12 art pieces.  This year, there are only 4.  However, they are 4 pieces of art that please me tremendously.  As I continue to create feelings out of fiber, my voice grows in definition and clarity.  And that brings me joy.

(Feeling) Impulsive is an excellent way to close out this year’s art creation.  Vibrant color placed with wild abandon aligns with impulse.

How could you be more impulsive in your life?

Constructive criticism and comments are always welcome.  Please share your thoughts!

Impulsive (link to poem)

Impulsive-Full(c)

(c) 2018, Hilary Clark, Impulsive, Fiber, 17″ x 24-1/2″

Impulsive-Detail 2

Impulsive-Detail 1

Impulsive-Detail 3

Next up: A short hiatus for the remainder of the year from creating feelings out of fiber.  Time spent in my studio during this season will be focused on experiments like paint on fabric, fabric dyeing, and ways to hang my Feelings series as stand-alone pieces rather than attached to a painter’s canvas.  I’ll post about whatever experiments I undertake.  As soon as 2019 begins, I intend to dive right back into my Feelings.  Enjoy the remainder of 2018.  May peace and joy be with you.


Info about my Feelings series: I interpret my random abstract doodles as emotions.  The guiding point is the outer boundary of the doodle.  The boundary evokes the feeling.  From there, I contemplate how to bring that particular feeling alive in fiber. 

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(Feeling) Fear

Three and a half months of slow and steady progress – (Feeling) Fear is finally complete!

As this year’s production has slowed, creating these fiber art pieces has become an opportunity to be more contemplative, contributing to my personal growth as I construct each one.  I seem to choose the feeling to create that I most need to understand and process in the moments it takes to make my art.  To state that more clearly, every time I step into my studio to work on the fiber feeling, I give mental focus to the actual feeling and how it impacts me and my life.  As a result, I discover the ways the feeling is serving me and where it is holding me back from achieving my goals.

Through my art making process, I am learning to find solutions within my feelings.  What more could one want from their creative life?

What have you learned from your creative efforts?

Constructive criticism and comments are always welcome.  Please share your thoughts!

Fear (link to poem)

(Feeling) Fear - Full

Fear-Detail 3

Fear-Detail 2

Next up: (Feeling) Impulsive


Info about my Feelings series: I interpret my random abstract doodles as emotions.  The guiding point is the outer boundary of the doodle.  The boundary evokes the feeling.  From there, I contemplate how to bring that particular feeling alive in fiber. 

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