Tag: artist

Showcase Piece: Inquisitive

In today’s article, I’m showcasing another piece from my portfolio – Inquisitive, the second piece made as part of my Feelings series.

Please keep reading to learn more about why I chose the colors and shapes I did to make this textured fiber painting. If you’re rather watch and listen, jump to the video at the end.

(c) Hilary Clark, “Inquisitive”, Fiber, 18″ x 23″
Image credit: Hilary Clark

Inquisitive was an experiment…

Inquisitive is one of the smaller pieces in the Feelings series, measuring 18” x 23”. There are two eyelet hangers stitched on the back, allowing it to hang on the wall with the use of a couple of small nails.

This piece doesn’t have the same dense stitching as the first in the series, or many that followed. I was experimenting with how much stitching I wanted to include and this piece, with its more representational shapes, seemed to call for a wider stitch pattern.

Why I chose yellow…

I chose yellow for the canvas because this color symbolizes curiosity and inquisitiveness to me. I tend to think and feel in color so when I’m choosing the canvas color for one of my textured fiber painted feelings, I go inside and ask my intuition what color best represents the feeling. When I did that for Inquisitive, yellow’s what rose out of my subconscious.

As with all of the Feelings series, the canvas is made up of different shades of the canvas color. I create a tissue paper pattern following the full outline of the piece, then divide that pattern into individual segments along abstract, flowing curves. Each segment uses a different shade of yellow in this piece, mostly solids, but occasionally I’ll use patterned fabric as I did here.

The “why” behind the design…

Once the canvas is created, I overlay the design elements on top. For Inquisitive, I chose question marks because to be inquisitive is to question. They symbolize the curious aspect of being inquisitive as you seek answers.

In addition to the slightly wider stitching, roughly ½” between each stitch line as opposed to my usual ¼” to ⅛” distance, this piece also uses more defined, real shapes with the question marks and the eyes overlaying each mark. I was still exploring how I wanted to best create feelings out of fiber and this piece, when compared with the rest of the series, is a bit of a departure. However, it is still an abstract with bright, bold colors and so it fits into the series in that way.

Inquisitive – detail views
Image credit: Hilary Clark

There’s always a poem…

The majority of my work includes a poem on the back. Each poem is inspired by the textured fiber painting and so each piece includes a copy of its poem fused to the backing as the label. I thought I’d share Inquisitive’s poem with you.

(Feeling) Inquisitive

What is the meaning of
life? Is it purpose,children,
love,or just living?

Why is the sky
blue, the grass green,
my hair turning grey? Are
these childish questions?

Who is God? Have you
met Him? On the other hand, is it 
Her? Is it both? What does 
God looks like?

When will the world
end? Have you wondered?
Do you care?

How do we know when
chicken is cooked or 
black currants are
ripe? Will you ask Google?

Where do the rabbits in my
backyard make their
nest? Are they happy?

I wonder…are you as
inquisitive as I am?

Exit through the gift shop…

If you’re interested in owning Inquisitive, it can be purchased for $750 through my Etsy shop, HilaryClarkStudios. Or reach out to me directly and we can make arrangements to get this piece into your home.

If you’re ready for a private (virtual) showing of my art, you can schedule an appointment here.

To discuss commissioning me to make a textured fiber painting specifically for you or someone you love, please schedule an exploratory commissioning conversation and we’ll see what we can create together.

If you liked what you read (or watched if you chose the video), please share with the one person you absolutely know would like it too!

Jewels of the Pandemic: Wearable Art Face Masks

Over the last few months, three different friends have suggested I make face masks as they’re needed during this 2020 pandemic. Each of these friends also suggested I make them as pieces of art, rather than as utilitarian masks. It wasn’t until the third time this was suggested that I connected to the idea.

So I made one. And I enjoyed it so much, I’m making more.

Please keep reading to learn more. If you’re rather watch and listen, jump to the video at the end.

Jewels of the Pandemic: Wearable Art Face Mask No. 1 ~ $250
Available for purchase in my Etsy Shop.

Mask No. 1 details…

The vast majority of the art I create is raw edged fused appliqué with dense machine stitching to “paint” each of the design elements. I applied this same technique to the face mask and created this beautiful gem.

The lining is grey felt, which is comfortable on the face and fully breathable. Because the felt is thicker than a single layer of cotton, it also provides a bit more fabric to filter out the toxins floating through the air **. The external side of the mask is made of a layer of cotton fabric as the base color, then overlaid with collaged design elements. While some of the design elements do overlap, they don’t impede breathing.

Embellished with purple ribbon, it ties behind the neck and head to hold it securely in place when you’re in any environment that requires facial covering.

The mask can be washed on the delicate or hand wash cycle in your machine (or by hand in the sink), hung to dry, and worn again and again. Over time, the raw edged design elements may fray. This is natural; any frayed threads can be trimmed with small scissors.

It’s priced at $250 due to the level of detail involved in making this beautiful work of art. If you’d like to own it, you can buy it directly from my Etsy shop ~ HilaryClarkStudios.

Jewels of the Pandemic…

I’ve had lots of interest in this piece, and I enjoyed making it, so I’m currently making ten (10) more, each with its own base color. I’m using red, pink, orange, yellow, green, blue, purple, lavendar, black, and white.

This small collection of jewels will be available for $150 each as the design will be simpler. All will be uploaded into my Etsy shop when they’re complete, except for the purple one, which is already spoken for.

Exit through the gift shop…

The Jewels of the Pandemic collection is wearable art. Before you freak out over the price, I’d like you to consider something: The beautiful face you were born with is hidden behind whatever mask you’re wearing. The mask is now the face you’re showing the world.

So why not wear the most beautiful face covering possible?

Your face mask is an accessory. Just because your face is covered doesn’t mean you can’t dress yourself up and wear something gorgeous as you greet the world.

You deserve it.

If you’d love to own one of the Jewels of the Pandemic masks, drop a comment below or get in touch as soon as possible. I’m happy to reserve your favorite color for you.

(** Remember, please, the Jewels of the Pandemic masks are for personal use only and are not medical grade.)

If you’re ready for a private (virtual) showing of my art, you can schedule an appointment here.

To discuss commissioning me to make a textured fiber painting specifically for you or someone you love, please schedule an exploratory commissioning conversation and we’ll see what we can create together.

If you liked what you read (or watched if you chose the video), please share with the one person you absolutely know would like it too!

Where I get my inspiration

All artists are inspired by something (or multiple somethings) and I’m no exception. So I thought I’d share where I get my inspiration.

(Keep going to read the article and find out more. If you’re rather watch and listen, jump to the video at the end.)

Light for Yvonne

Inspiration from external influences…

Much of my earlier work was inspired by things outside myself. Things I’d seen on walls and wanted to replicate in fiber. Suggestions made as calls for entry for a particular fiber show I wanted to apply to. Favorite hobbies or interests related to the person I was creating a piece for. Things like that.

The photo above shows “Light for Yvonne”, which I made in response to a call for postcard sized fiber pieces. The pieces were collected and then shared with Yvonne Porcella, who started Studio Art Quilt Associates (or SAQA, to which I belong), as she journeyed through her experience with ovarian cancer. My piece used her signature fabric – black and white check – and depicts a candle with a cross to symbolize her devotion to God. Yvonne was also my cousin; making this piece and donating it as another way to express my commitment and love for her was inspiration enough.

I’ve made a kite, inspired by a painting I saw on a wall. I’ve made the Hulk for my nephew, inspired by his fondness for the green guy. I’ve made the Eiffel Tower for my niece, inspired by her attraction to all things French.

The Kite Perspective
Hulk Smash!
Someday, Paris

Inspiration from memories…

My memories of my grandparents are strong, even though they’ve all been gone a very long time. I created a series to honor them, using their favorite color as the base.

My paternal grandfather had a number of fun sayings, one of which was “Any color’s all right as long as it’s red”. When I first started creating fiber work in the late ’90s, I remembered that saying and thought it would be a fun name for an art piece, however, it wasn’t until much more recently that I allowed my memories to inspire me to create my “Any Color” series.

I made “Any Color’s All Right As Long As It’s Red” for Basil, using lettered beads as embellishment to spell out the word he’d made up – transmugliforcandambumshamity. None of us ever knew what the word meant and he wouldn’t tell us. Most of us decided it was an elaborate cuss word.

I used green for Lucille, my maternal grandmother, and attached clip on earrings via thread to embellish her memory piece because she wore earrings absolutely everywhere, including while kneeling at the side of her Airstream trailer, hooking it up to the various campground hook-ups.

Purple was Neska’s favorite color, my paternal grandmother. She delivered soft kisses to the cheek at every visit and embodied love, so her piece includes lip prints and heart pendants and a couple of bees because she was my grandpa’s “Honey girl”.

And finally, blue for Gene, my maternal grandfather, who died when I was 10. He was a volunteer fireman and ran a cold storage and gave me a Jolly Green Giant doll and loved to fish for abalone, so I added his fireman’s badge and stitched on little round bits that represent an abalone shell and created a tiny green giant as part of his piece.

Any Color’s All Right As Long As It’s Red (for Basil)
Any Color’s All Right As Long As It’s Green (for Lucille)
Any Color’s All Right As Long As It’s Purple (for Neska)
Any Color’s All Right As Long As It’s Blue (for Gene)

Inspiration from intuition…

My most recent work, the work I’ve been creating for the last 3 years, has all been inspired by my intuition.

I’m an empath, so I feel a lot. That’s why I create feelings out of fiber.

Everyone has feelings; it’s one of the ways we’re all alike. When I’m ready to create a new feeling, I close my eyes, center myself, and ask my Higher Self (my intuition) which feeling is up next. I always get an answer. And I always get an image that includes color choices, shape arrangement, and the overall outline shape for the piece.

And then, as I work on making the invisible visible, I feel the feeling. Often, I’ll discover the feeling is also being felt by a large segment of the population at the same time. I know this from information in my social media feed or through headlines from various news sources or messages from friends, which all just goes to confirm I’m making the right feeling at the right time.

I allow my intuition to guide the work. If I feel a little stuck, I’ll step back and take a little break. This gives my intuition space to channel more detail about what the feeling looks like. And then I go back to work to create it.

For example, I recently made “Isolated”, which was a feeling felt around the world as we settled into lockdown for the pandemic.

Isolated

In closing…

My work is inspired by many things. Sometimes, there’s an underlying social message, but most of the time, for most of my work, my inspiration comes from the voice that lives deep inside my heart.

My purpose is to make the invisible visible and the intangible tangible. I do this primarily by creating feelings out of fiber.

Inspiration is everywhere, as long as I remain open to receive it. The same holds true for you. Open yourself, and you’ll find inspiration.

If you’re ready for a private (virtual) showing of my art, you can schedule an appointment here.

To discuss commissioning me to make a textured fiber painting specifically for you or someone you love, please schedule an exploratory commissioning conversation and we’ll see what we can create together.

If you liked what you read (or watched if you chose the video), please share with the one person you absolutely know would like it too!

What being an artist means to me

It took me a long time to figure it out, but being an artist means everything to me. I fought against this identity. When I finally surrendered, life got a whole lot easier.

If you’ve struggled or fought against your own creative calling, keep going to read the article. If you’re rather watch and listen, jump to the video at the end.

Image credit: Hilary Clark – detail view of “Crushed”

The journey…

Being an artist means everything to me. It’s who I am. But I didn’t always know this. In fact, I spent years actively denying it to myself.

Being an artist didn’t feel practical. It wasn’t a logical move. I questioned my ability to make an income. I wondered how I’d ever find the time to make art while working a full time job.

I came up with tons of excuses about why I couldn’t possibly be an artist. I even chose to take another career path in my obstinance, one that was just as distracting to creative thought.

Initially, I thought I’d be a writer, penning New York Times bestselling novels with ease. I’ve always loved to write, beginning with an introduction to poetry writing in the 4th grade, then creative writing classes in high school and college. I write well. I can tell a compelling story. I thought novel writing would be a breeze.

It wasn’t. I found myself resistant to writing, to putting my butt in the seat and fingers to keyboard. I’d get a good start with a plot, then it would die out for lack of imagination on where the characters might go next.

So I decided I wasn’t meant to be a writer, of fiction novels at least, because I told myself I didn’t have what it took to carry a plot line through 300 pages.

From novelist to children’s book writer…

When I gave up on writing novels, I thought, oh, I’ll write children’s books instead – they’re shorter; my imagination can carry a story line through to the end. I love fantastical creatures, so writing books to captivate children felt simple.

And I wrote one – for my niece as a gift for her 5th birthday. And I started another for my nephew that remains unfinished because he grew older and fell out of interest in superheroes.

So then I told myself I wasn’t qualified to write children’s books because I don’t have children of my own.

From writer to life coach…

I set writing aside, pretending I’d given it a good try and pretending it didn’t hurt my heart just a little bit to give up on my lifelong dream to write books. And I went on a quest to find another career.

I found life coaching. I got educated on what it means to be a life coach. I practiced and coached and tapped into all the personal growth I’d done on myself to help others. I found coaching satisfying – when the light bulb goes off for a client can be incredibly joyful.

But it wasn’t creative and it felt very much like it was in the way of what I really wanted to do.

Admitting it…

For over 20 years, I’ve been creating with my sewing machine. I started with traditional lap quilts, then began to make art quilts of my own design, and about 6 years ago, I shifted to what I call textured fiber paintings – densely stitched abstract fiber pieces.

Through my corporate career, through my exploration around being a writer, through my journey to train and practice as a coach, I continued to make my fiber pieces.

That’s all I really wanted to do. In fact, I thought becoming a coach would be the path to allow me more time to create my fiber art. But coaching didn’t. It distracted me instead.

And still I struggled and fought against calling myself an artist.

Then my partner and I moved across country in the middle of a pandemic and something shifted inside me. A door opened and through it, I saw opportunity. I saw that my struggle and fight were exhausting and it was time to surrender.

So I did. I surrendered so I could accept who I really am – an artist. I’m an artist who creates feelings out of fiber and it is everything.

A life of grace, ease, and lightness…

Eckhart Tolle wrote in The Power of Now, “To offer no resistance to life is to be in a state of grace, ease, and lightness.”

That’s what being an artist feels like to me – a life of grace, ease, and lightness.

From the moment I surrendered to my calling, that of being an artist, everything got simpler. My mind exploded with creative ideas. I began to explore other ways to make art, like drawing and painting, which had previously held little interest because I believed I wouldn’t be any good at them.

My mood shifted from a state of frequent quiet gentle melancholy to one of constant simmering joy.

Most surprising of all, the story line for a novel came to me, complete with characters, the plot path, and easy breezy writing time with my butt in my seat and my fingers on the keyboard.

Being an artist means everything to me. It’s who I am.

But I never would have found this joy if I’d continued resisting what my heart knew.

In closing…

So many of us spend some portion of our lives struggling against what our deepest inner knowing calls us to be and do. I spent most of my adult life in that struggle. And then I stopped resisting and everything became easy.

If you’ve fought and struggled against what your deepest inner knowing is calling you to be or do, especially if it’s a creative calling, I’m here to tell you it’s time to surrender. In fact, I’m here to help you get there. Part of my definition of myself as an artist includes helping others who’ve struggled to claim that same definition for themselves. I can help you release the resistance and find your state of ease.

I promise you, when you let the struggle go, it will mean everything.

P.S. If you could use help to surrender to your creative calling, get in touch and we’ll set up time to talk about what I call The Hilary Method, my process to help you become more productive and proactive so you can be more creative.

P.P.S. If you liked what you read (or watched if you chose the video), please share with the one person you absolutely know would like it too!

I’m a lazy artist

The other day, I was speaking with a friend and I said, “I’m a lazy artist.” She asked what I meant by that; I thought I’d share what I said with you too.

If you’ve ever felt like you’re too lazy to do the creative thing that calls you, or conversely, you wish you could be lazy but you feel like you’re too busy, keep going to read the article. If you’re rather watch and listen, jump to the video at the end.

Photo by Roberto Nickson on Unsplash

What I mean by lazy…

What I mean when I say I’m a lazy artist is I don’t want to work all the time, 8 or more hours a day and on weekends.

I cherish my down time. I cherish my self-care time. And I cherish my family time.

Because these pockets of time are so important to me, I’ve sometimes felt conflicted about having enough time to make my art, which is also critical to my well-being.

I’m a maker, a creative first and yet, I’m always seeking alignment between my calling and my personal and family needs. So for a while, I fought my laziness.

Doing that, fighting my laziness, backfired on me. I ended up feeling resentful towards the thing I most enjoy doing, being an artist.

So something had to change.

Embracing the lazy…

That change began with a decision to embrace the lazy, to stop trying to be someone I’m not.

Then I took two steps to set myself up for success, which you can do too.

These steps are:

    • Give yourself permission to be yourself
    • Put systems and structure in place to allow you to be productive and proactive

Give yourself permission…

The first step to success as a lazy creative is to give yourself permission to be yourself. Here’s what this looked like for me:

I’m a slow mover in the morning and always have been. But I was pushing myself as an artist and creativity trainer to get up and get moving as if I still had a corporate job. I was forcing myself to get up earlier than I like (around 4:30 AM), to rush through my shower, to shovel down breakfast, and be at my desk or in my studio by 7 AM. This left no time for self-care, which for me is journaling, meditation, and exercise, all of which I know I must do at the start of my day or they won’t happen.

So after deciding to embrace my lazy, I gave myself permission to be myself. I get up at 6 AM and journal for 20 minutes. I eat breakfast and catch up on social media and email. I meditate for 10 minutes, then I go for a 2 mile walk. I come home, I shower, and then I start my work day around 9:30 AM.

I work until I’m done, with the goal of never working past 5 PM, so I can relax before making dinner, and then enjoy down time with my partner in the evening, which includes reading and the occasional show.

Your permission will look different than mine. You’ll need to get clear on what’s important to you so you can choose what your lazy looks like.

Systems and structure…

The second step is to put systems and structure in place so you can be your most productive and proactive in the time you have available to you. Giving yourself permission to be yourself is important. To pull it off, however, this step is critical.

For as long as I can remember, I’ve been able to complete my work in less time than others (and my results were stellar, so it’s not like I was cutting corners). What this meant was I accomplished more in four to six hours than others did in eight.

When I remembered this about myself, I realized I could continue to embrace my lazy even as an artist. All I needed to do was set up systems and structure, much like I’d done throughout my corporate career.

I’m a productivity and time management geek. One of my personal mantras is “work smarter, not harder”. I’m an expert at designing solutions and finding efficiencies where others only see obstacles and an endless road. So I decided to apply these skills to my own art career.

One of the most valuable structures I use is time blocking. It allows me to divide my work into similar chunks so I can focus on one thing at a time. I have two full days for administrative work, which includes creating and scheduling my marketing content. I have three full days for making art in my studio. By using time blocking, the pressure fell away to do all the things on all the days. Now, if I want to make art on a Saturday or Sunday, I do it for the joy of it, not because I didn’t have time during the week.

One of the most valuable systems I use is a task app. I use Todoist, where I dump every single to do that pops into my head. Each week, I go through it (I’ve got it organized into work segments) and schedule my work for each day of the following week. I don’t have to think about what I’m going to do on a given day or what topic I’ll write about for my weekly article – I’ve stored it all in Todoist. My lazy artist brain is free to be creative because it’s not loaded down with tasks and projects.

These are just two examples of the systems and structures I use. There are loads more out there to choose from, which means what I use might not be right for you.

In closing…

I’m a lazy artist. But by granting myself permission to be myself and then putting systems and structures in place that allow me to be my most productive, proactive, and creative, I’ve found success.

If this is something that calls to you, I can help. I work with people just like you who feel too lazy to do the creative thing that calls, or conversely, feel too busy. I work with you to grant yourself permission to be yourself and then train you on the systems and structures that’ll be most effective for your situation. Whether you want to insert creative time into your day, or you just want to be more productive and proactive at work, creativity training can help.

P.S. If you could use help to embrace your lazy, get in touch and we’ll set up time to talk about what I call The Hilary Method, my process to help you become more productive and proactive so you can be more creative.

P.P.S. If you liked what you read (or watched if you chose the video), please share with the one person you absolutely know would like it too!